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Episode 10 - Time Travel


EPISODE TEN

TIME TRAVEL

Safety Not Guaranteed
Time After Time
Back To The Future


Runtime: 1:34:00


Safety Not Guaranteed
SafetyNotGuaranteed.jpg
Film poster
Directed byColin Trevorrow
Produced by
Written byDerek Connolly
Starring
Music byRyan Miller
CinematographyBenjamin Kasulke
Edited by
  • Franklin Peterson
  • Joe Landauer
Production
company
Distributed byFilmDistrict
Release date
Running time
86 minutes
CountryUnited States
LanguageEnglish
Budget$750,000[1]
Box office$4.4 million[2]


Stephen Holden of The New York Times wrote that the story's shenanigans are "harnessed to a plaintive underlying theme about the fading dreams of those aspiring professionals in their 20s and 30s."[4] Roger Ebert praised the film for the quality of the dialogue, characters with depth and dimension, as well as Mark Duplass for his balanced performance.[11]
Safety Not Guaranteed has been called "one of the most influential films of the last decade." Made in 2012 with a first-time director and writer and costing less less than a million dollars, this character driven indie caught the eye of Netflix, foreshadowing the role of streaming in film creation and distribution.[12]

Time After Time
TimeAfterTime79.jpg
Promotional poster
Directed byNicholas Meyer
Produced byHerb Jaffe
Screenplay byNicholas Meyer
Story bySteve Hayes
Based onTime After Time
1979 unpublished novel
by Karl Alexander[1]
StarringMalcolm McDowell
David Warner
Mary Steenburgen
Music byMiklĂ³s RĂ³zsa
CinematographyPaul Lohmann
Edited byDonn Cambern
Production
company
Distributed byWarner Bros.
Release date
  • September 7, 1979
Running time
112 minutes
CountryUnited States
LanguageEnglish
Box office$13,000,000[2]

Variety described the film as "a delightful, entertaining trifle of a film that shows both the possibilities and limitations of taking liberties with literature and history. Nicholas Meyer has deftly juxtaposed Victorian England and contemporary America in a clever story, irresistible due to the competence of its cast".[6] Janet Maslin of The New York Times similarly lauded, "Time After Time is every bit as magical as the trick around which it revolves". She continued:
Mr. Meyer isn't a particularly skilled director; this is his first attempt, and on occasion it's very clumsy. But as a whizkid he's gone straight to the head of the class, with a movie that's as sweet as it is clever, and never so clever that it forgets to be entertaining. The satisfactions Time After Time offers are perhaps no more sophisticated than the fun one might have with an intricate set of electric trains. Still, fun of this sort isn't always easy to come by, not after one's age has climbed up into two digits. There's a lot to be said for an adult's movie with the shimmer of a child's new toy.[7]

Back to the Future
The poster shows a teenage boy coming out from a nearly invisible DeLorean with lines of fire trailing behind. The boy looks astonishingly at his wristwatch. The title of the film and the tagline "He was never in time for his classes... He wasn't in time for his dinner... Then one day... he wasn't in his time at all" appear at the extreme left of the poster, while the rating and the production credits appear at the bottom of the poster.
Theatrical release poster
by Drew Struzan
Directed byRobert Zemeckis
Produced by
Written by
  • Robert Zemeckis
  • Bob Gale
Starring
Music byAlan Silvestri
CinematographyDean Cundey
Edited by
Production
company
Distributed byUniversal Pictures[1]
Release date
  • July 3, 1985
Running time
116 minutes[2]
CountryUnited States
LanguageEnglish
Budget$19 million[3][4]
Box office$389.1 million[3][4][5]


Roger Ebert of the Chicago Sun-Times felt Back to the Future had similar themes to the films of Frank Capra, especially It's a Wonderful Life. Ebert commented "[Producer] Steven Spielberg is emulating the great authentic past of Classical Hollywood cinema, who specialized in matching the right director (Robert Zemeckis) with the right project." He gave the film 3 1/2 out of 4 stars.[50] Janet Maslin of The New York Times believed the film had a balanced storyline: "It's a cinematic inventing of humor and whimsical tall tales for a long time to come."[51] Christopher Null, who first saw the film as a teenager, called it "a quintessential 1980s flick that combines science fiction, action, comedy, and romance all into a perfect little package that kids and adults will both devour."[52]


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